TV program devoted to classic cinema; always broadcasts around midnight. Films are shown in their original version and format, with French subtitles. Usually grouped into cycles (“British Cinema“ cycle, “Short Film“ cycle, etc.).

Des patients en psychiatrie décident de tourner deux scènes d’un long métrage qu’ils rêvent de faire et parlent de leur maladie, de leurs traitements… de leurs vies. Une équipe de professionnels les suit.

An anthology of sequences from the best films that the National Film Board of Canada produced since its beginnings. Divided by themes and presented by a trio of actors-signers (including Carle's wife Chloé Sainte-Marie) who sings the same song in between the movie excerpts. This movie celebrated the anniversary of the National Film Board in 1985.

暂无英文版的简介，请添加内容帮助我们完善数据库。

"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

Boris Vian (1920-1959) died during a private screening of "I Shall Spit on your grave", a film based upon his own novel. This death underscore the strange relationship Boris Vian had with the cinema during all his life.

暂无剧情简介

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that I have dived into the festival’s unreleased archives - finding astounding debates or hilarious reactions of the audience - in order to reweave the thread of that forgotten and yet so meaningful story about Cinema.